“We did this during the location recce and it proved to be extremely useful, as it ensured we set up our camera to the exact specs the post house wanted: 23.98 cropped to 2.39 4K (4096 x 1716) in Blackmagic Film color space,” HaZ adds. I shot some tests to demonstrate the look and feel and also to test the Blackmagic RAW and color workflow between my setup in London and their’s in LA.” He continues: “Before shooting, I wanted to ensure that the post team in LA was able to take my DaVinci Resolve Project (DRP) file and work from that to complete picture post. I had to shoot a lot of material in a very short space of time, so I needed a format that was both light and flexible.” When outlining his decision to shoot in Blackmagic RAW, HaZ explains, “Portals examines a post apocalyptic event from many different perspectives, with sequences involving a variety of characters, scenarios and locations. They then had two days to complete the assembly edit in DaVinci Resolve Studio 16, which was also used to deliver the entirety of the final cut and DI in collaboration with an LA based post team. With a tight production budget, HaZ and his team were given only a week to prep and shoot. Interoperable Master Format User Group (IMF UG)īlackmagic Design recently announced that filmmaker Hasraf (Haz) Dulull employed a Blackmagic RAW workflow throughout both the acquisition and post production of a new science fiction anthology feature, Portals.Ĭreated and produced by Chris White in association with Screen Media Films, the final and bookend segments of the thriller were directed by Hasraf ‘HaZ’ Dulull, who opted to shoot on the Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW 12:1 constant bitrate.Young Entertainment Professionals (YEP).
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